مشخصات پژوهش

عنوان	Play and Festival: The Role of Participation in the Experience of Art
نوع پژوهش	مقاله چاپ‌شده در مجلات علمی
کلیدواژه‌ها	Key words: aesthetic consciousness, work of art, experience of art, festival, participation, play
چکیده	ISSN 2039-2117 (online) ISSN 2039-9340 (print) Mediterranean Journal of Social Sciences MCSER Publishing, Rome-Italy Vol 4 No 3 September 2013 769 Play and Festival: The Role of Participation in the Experience of Art Abdollah Amini Ph.D. Candidate in Philosophy, University of Isfahan, Iran E-mail: aminiphilosophy@gmail.com Mohammad Javad Safian Assistance professor of philosophy University of Isfahan Doi:10.5901/mjss.2013.v4n3p769 Abstract In order to avoid subjectivism hidden in the basis of modern aesthetics -established by Kant- Gadamer (1900-2002) proposes the experience of art in the form of play, which is consistent with other hermeneutical components of his thought. A work of art as play is no longer a mere object of “aesthetic consciousness”, but it is a totality in which we take part. A live and full presence in the paly of art is both theoretical and practical experience. This kind of participation in the paly of a work of art can be sought in other cases which are a kind of play themselves, i.e. festivals, celebrations and religious rites. However, it seems that the concept of participation regarding the paly of art has two modes: one is that the participation means to accompany other people in a presentation and have a collective experience and the other means to attend in play of a work of art without paying attention to the presence of other people. It seems that Gadamer has been swaying from one participation dimension to another.
پژوهشگران	محمد جواد صافیان اصفهانی (نفر دوم)، عبدالله امینی (نفر اول)