2024 : 11 : 20
فارسی
Erfan Rajabi
Academic rank:
Assistant Professor
ORCID:
Education:
PhD.
ScopusId:
9642
HIndex:
Faculty:
Faculty of Language and Literature
Address:
Bloc 12, Teachers's residential headquarters, Pasdaran Blv. Sanandaj.
Phone:
1205
E-mail:
e.rajabi [at] uok.ac.ir
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Education
Courses
Research activities
Research interests
Students
Executive activities
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Education
PhD. in English Language and Literature
(2007 - 2013)
Thesis title:
MSc. in English Language and Literature
(1998 - 2000)
Thesis title:
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Courses
Bachelor Of Science
A survey of the History of English Literature 2
A survey of the History of English Literature
Literary Translation
english Poetry
Drama from 17th-20th centuries
American Literature
Literary Terms
short Story
An Introduction to Literature 2
Advanced Writing
Essay Writing
The Principles and Methods of Research
Classic and Renaissance drama
Literary criticism
Master Of Science
World Great Dramatists
The Eighteenth Century Literature
Research In English Literature
Romantic Poetry
Contemporary English Drama
Contemporary English Poetry
The European Literature
American Literature
The Renaissance Literature
Literary criticism
The Orientation of Literature
Research activities
Journal Papers
The Discursive Representation of the Social Actors in Edmund Spenser’s and Sir Philip Sidney’s Love Sonnets
Erfan Rajabi, Masoud Dehghan, fatemeh gholami motlagh (2023)
Typography as a regime of reading/looking in Toni Morrison’s The Bluest Eye (1970)
Erfan Rajabi (2020)
Subjectivity Construction through Familial Discourse Represented in Film: A Case Study of Alyosha’s Identity in Andrey Zvyagintsev’s Loveless
sajad Hosseini, Erfan Rajabi (2019)
Conference Papers
The Queen Did not Die after King's Death: Narrative, Gender, Storytelling Models and Causality
Erfan Rajabi (2017)
Subjectivity in Doris Lessing's Select Novels: Fifth Child (1988) and Ben, In the World (2000)
Erfan Rajabi, maryam fathi (2017)
Novel and Heterotopias: Reader , Narrative, Space, Power
Erfan Rajabi (2017)
Media Literacy: Renegade Reader, Social Media and Network Media
Erfan Rajabi (2017)
The Act of Calling the Reader an Idiot as an Act of Persuasion
Erfan Rajabi (2017)
Student Grade Appeal Letter in Iranian Universities: A Case Study of Zanjan and Kurdistan Universities
Erfan Rajabi, Pedram Maniee, Pezhman Barkhordari (2017)
On the Necessity of the Use of Systemic Functional Linguistics in Literary Criticism: A Case Study of Jane Austen's Pride and Prejudice
Erfan Rajabi (2016)
The Technologies of the Disciplining of the Citizen-soldier in Auden's "The Unknown Citizen"
Erfan Rajabi (2016)
Who Rules Whom? Explorations in the Dramaturgy of Power in Three Plays: Antigone, Macbeth and The Merchant of Venice
Erfan Rajabi (2015)
Janus, Iranian Style: The Collapse of Certainty in Tara Bahrampour's To See and See Again
Erfan Rajabi, Abouzar Moteshakeri (2015)
Perceptions Towards ESP Courses:A Case Study of ESP Teachers and Students in Kurdistan University
Erfan Rajabi, Khaled Moradi (2015)
CDA Reading of Toni Morrison's Sula: Circles and Circles of Subjectivities as Acts of Politics
Erfan Rajabi (2015)
reading Literary Texts: Convergence of Linguistic Methods and Literary Approaches
Erfan Rajabi (2015)
A CDA-Deleuzian Reading of The Merchant of Venice: Discourse, City, Politics and economy
Erfan Rajabi (2014)
Speech
Functional Linguistics
Erfan Rajabi (2016)
MCA and Textual Analysis
Erfan Rajabi (2015)
The Possible World Theory and Literature
Erfan Rajabi (2015)
An Introduction to Literature
Erfan Rajabi (2015)
Reader-Response Theory and Van Dijk's Discourse Theory
Erfan Rajabi (2014)
Language, Ideology and Power in Renaissance Sonnets
Erfan Rajabi (2013)
WorkShop
Critical Discourse Analysis & Literature
Erfan Rajabi (2019)
Books
Critical Discourse Analysis and Literature
Erfan Rajabi (2013)
Theses
Meta-narratives, Discourses and Subject Positioning in Margaret Atwood’s MaddAddam Trilogy
Salam Muhsin Hasan Aldavodi, Masoud Dehghan, Erfan Rajabi (2024)
Subjectivity Formation of Major Characters in Upton Sinclair’s Oil! and Paul Thomas Anderson’s Adaptation, There Will Be Blood: A Comparative Study
Somaieh Gavili Kilaneh, Erfan Rajabi (2023)
Love, Madness, and Alienation: A Feminist Reading of David Hare’s Knuckle, Plenty, and Skylight
Elaheh Jadidi, Erfan Rajabi (2023)
Individuation, Wholeness and the Evil in Anthony Burgess’s and Stanley Kubrick’s A Clockwork Orange: A Neo-Jungian Study
Shabnam Mardukhi, Erfan Rajabi (2023)
The Identity Development of the Protagonist as a Female Emigrant: A Psychological Analysis of Colm Tóibín’s Brooklyn
Niusha Farajmohammadi, Erfan Rajabi, Cyrus Amiri (2023)
The Impacts of Oil in Upton Sinclair’s Oil! and Ahmad Mahmoud’s The Neighbors: A study of Oil’s impacts on the Form and the Content of Novels
Baharah Mehrabi, Vali Gholami, Erfan Rajabi (2023)
The Representation of the Social Actors in Edmund Spenser’s and Sir Philip Sidney’s Love Sonnets
fatemeh gholami motlagh, Masoud Dehghan, Erfan Rajabi (2022)
Space, Subjectivity and Gender in Gina B. Nahai’s Caspian Rain, Moonlight in The Avenue of Faith and Sunday’s Silence
sara naghshbandi, Erfan Rajabi (2022)
A Study of the Functions of Family in Toni Morrison’s Selected Novels, The Bluest Eye, Sula, Love and Home Based on Family systems Theory
Diako Parvizpour, Erfan Rajabi (2020)
the transition of culture, text and Identity in Arthur Miller's Death of a Salesman and Asghar Farhady's the Salesman
Erfan Ghasemipour, Erfan Rajabi (2020)
Gender Performativity, Hauntology, and Mosaic of Quotations in Lisa Unger's In the Blood and Crazy Love You
Bahador Baghbani Arani, Erfan Rajabi (2020)
Reproducibility, Aura, and Storytelling in the Selected Works of Don DeLillo: A Benjaminian Reading of Falling Man and Cosmopolis
Sadegh Ahmadi Asl, Bakhtiar Sadjadi, Erfan Rajabi (2020)
Parallax, the Tickling Object, and the Ticklish Subject in Contemporary American and Persian Novels: A Comparative Study of Saul Bellow’s Herzog and Reza Ghasemi’s The Nocturnal Symphony of Lumbers’ Orchestra
Seyed Sajed Hosseini, Bakhtiar Sadjadi, Erfan Rajabi (2020)
The Closest Strangers: Foreclosure of the Father in Marsha Norman’s Night, Mother and Getting Out
saba heidari, Erfan Rajabi, Bakhtiar Sadjadi (2019)
Discursive-Analytic Reading of Toni Morrison’s Selected Novels: Jazz (1992), Love (2003), A Mercy (2008) and Home (2012)
Sirvan Mohamadnezhad, Erfan Rajabi, Zakarya Bezdoode (2019)
Différance and Binary Oppositions: A Deconstructionist Reading of John Dos Passos’ Trilogy U.S.A.
Hazhir Salami, Bakhtiar Sadjadi, Erfan Rajabi (2019)
Otherness and Logocentrism: Deconstructing the Narrative in Lisa Unger's In the Blood and
Reza Feyzollahi, Bakhtiar Sadjadi, Erfan Rajabi (2019)
Historiographical Negotiations: Aesthetic Sensibilities of Historical emplotment in Pat Barker's Selected Novels
Tania parkalian, Erfan Rajabi, Bakhtiar Sadjadi (2018)
The Politics of Social Space Production in Don Dellilo's White Noise and Cosmoplis
Farzin Mohammadi, Erfan Rajabi, Bakhtiar Sadjadi (2017)
Identity construction in Doris Lessing's Novels: A Lacanian Reading of The Fifth Child and Ben, In the World
maryam fathi, Erfan Rajabi, Vali Gholami (2017)
Janus Iranian Style: The Formation of Identity in Tara Bahrampour and Yasmin Crowther
Abouzar Moteshakeri, Erfan Rajabi, Cyrus Amiri (2016)
Gender, Performativity, and Agency in Virginia Woolf’s Selected Novels: A Butlerian Reading of To the Lighthouse and Orlando
Serveh Hozhabri, Bakhtiar Sadjadi, Erfan Rajabi (2016)
Desire, Subjectivity and the Symbolic in Ian McEwan’s Selected Works: A Lacanian Psychoanalytic Reading of Atonement and Saturday
Hourieh Maleki Qouzlu, Bakhtiar Sadjadi, Erfan Rajabi (2016)
Supplement, Undecidability, and Différance: Deconstructing the Narrative in Martin Amis’s Night Train and London Fields
Naseh Mobaraki, Bakhtiar Sadjadi, Erfan Rajabi (2015)
Research interests
Contemporary English Drama and Fiction
Literary criticism and theory, CDA, SFL
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Executive activities
The Head of the Department of English
(1392 - 1395)
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Links
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researchGate
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researchGate
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