2025/12/5
فارسی
Erfan Rajabi

Erfan Rajabi

Academic rank: Assistant Professor
ORCID:
Education: PhD.
H-Index:
Faculty: Faculty of Language and Literature
ScholarId:
E-mail: e.rajabi [at] uok.ac.ir
ScopusId: View
Phone: 1205
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Education

  • PhD. in English Language and Literature (2007 - 2013)
    Thesis title:
  • MSc. in English Language and Literature (1998 - 2000)
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Courses

Bachelor Of Science
Master Of Science

Research activities

Journal Papers
Conference Papers
The Queen Did not Die after King's Death: Narrative, Gender, Storytelling Models and Causality Erfan Rajabi (2017)
Subjectivity in Doris Lessing's Select Novels: Fifth Child (1988) and Ben, In the World (2000) Erfan Rajabi, maryam fathi (2017)
Novel and Heterotopias: Reader , Narrative, Space, Power Erfan Rajabi (2017)
Media Literacy: Renegade Reader, Social Media and Network Media Erfan Rajabi (2017)
The Act of Calling the Reader an Idiot as an Act of Persuasion Erfan Rajabi (2017)
Student Grade Appeal Letter in Iranian Universities: A Case Study of Zanjan and Kurdistan Universities Erfan Rajabi, Pedram Maniee, Pezhman Barkhordari (2017)
On the Necessity of the Use of Systemic Functional Linguistics in Literary Criticism: A Case Study of Jane Austen's Pride and Prejudice Erfan Rajabi (2016)
The Technologies of the Disciplining of the Citizen-soldier in Auden's "The Unknown Citizen" Erfan Rajabi (2016)
Who Rules Whom? Explorations in the Dramaturgy of Power in Three Plays: Antigone, Macbeth and The Merchant of Venice Erfan Rajabi (2015)
Janus, Iranian Style: The Collapse of Certainty in Tara Bahrampour's To See and See Again Erfan Rajabi, Abouzar Moteshakeri (2015)
Perceptions Towards ESP Courses:A Case Study of ESP Teachers and Students in Kurdistan University Erfan Rajabi, Khaled Moradi (2015)
CDA Reading of Toni Morrison's Sula: Circles and Circles of Subjectivities as Acts of Politics Erfan Rajabi (2015)
reading Literary Texts: Convergence of Linguistic Methods and Literary Approaches Erfan Rajabi (2015)
A CDA-Deleuzian Reading of The Merchant of Venice: Discourse, City, Politics and economy Erfan Rajabi (2014)
Speech
WorkShop
Books
Theses
Perpetuating Power Structures: Identity, and the Limits of Resistance in Martin McDonagh’s Irish Plays Farzin Mahmoudi, Zakarya Bezdoode, Erfan Rajabi (2025)
The Evolutionary Origins of Patriarchy and Its Future in The Handmaid’s Tale, The Testaments, Vox, and The Power Ali Shenavi, Erfan Rajabi (2025)
Meta-narratives, Discourses and Subject Positioning in Margaret Atwood’s MaddAddam Trilogy Salam Muhsin Hasan Aldavodi, Masoud Dehghan, Erfan Rajabi (2024)
Subjectivity Formation of Major Characters in Upton Sinclair’s Oil! and Paul Thomas Anderson’s Adaptation, There Will Be Blood: A Comparative Study Somaieh Gavili Kilaneh, Erfan Rajabi (2023)
Love, Madness, and Alienation: A Feminist Reading of David Hare’s Knuckle, Plenty, and Skylight Elaheh Jadidi, Erfan Rajabi (2023)
Individuation, Wholeness and the Evil in Anthony Burgess’s and Stanley Kubrick’s A Clockwork Orange: A Neo-Jungian Study Shabnam Mardukhi, Erfan Rajabi (2023)
برساخت جهان حقوقی در ماجرای اسرارآمیز در استایلز (1920) اثر آگاتا کریستی و اتود در قرمز لاکی (1887) اثر آرتور کانن دویل: خوانش مقایسه ای (1401)
The Identity Development of the Protagonist as a Female Emigrant: A Psychological Analysis of Colm Tóibín’s Brooklyn Niusha Farajmohammadi, Erfan Rajabi, Cyrus Amiri (2023)
The Impacts of Oil in Upton Sinclair’s Oil! and Ahmad Mahmoud’s The Neighbors: A study of Oil’s impacts on the Form and the Content of Novels Baharah Mehrabi, Vali Gholami, Erfan Rajabi (2023)
The Representation of the Social Actors in Edmund Spenser’s and Sir Philip Sidney’s Love Sonnets fatemeh gholami motlagh, Masoud Dehghan, Erfan Rajabi (2022)
Space, Subjectivity and Gender in Gina B. Nahai’s Caspian Rain, Moonlight in The Avenue of Faith and Sunday’s Silence sara naghshbandi, Erfan Rajabi (2022)
the transition of culture, text and Identity in Arthur Miller's Death of a Salesman and Asghar Farhady's the Salesman Erfan Ghasemipour, Erfan Rajabi (2020)
A Study of the Functions of Family in Toni Morrison’s Selected Novels, The Bluest Eye, Sula, Love and Home Based on Family systems Theory Diako Parvizpour, Erfan Rajabi (2020)
Gender Performativity, Hauntology, and Mosaic of Quotations in Lisa Unger's In the Blood and Crazy Love You Bahador Baghbani Arani, Erfan Rajabi (2020)
Reproducibility, Aura, and Storytelling in the Selected Works of Don DeLillo: A Benjaminian Reading of Falling Man and Cosmopolis Sadegh Ahmadi Asl, Bakhtiar Sadjadi, Erfan Rajabi (2020)
Parallax, the Tickling Object, and the Ticklish Subject in Contemporary American and Persian Novels: A Comparative Study of Saul Bellow’s Herzog and Reza Ghasemi’s The Nocturnal Symphony of Lumbers’ Orchestra Seyed Sajed Hosseini, Bakhtiar Sadjadi, Erfan Rajabi (2020)
The Closest Strangers: Foreclosure of the Father in Marsha Norman’s Night, Mother and Getting Out saba heidari, Erfan Rajabi, Bakhtiar Sadjadi (2019)
Discursive-Analytic Reading of Toni Morrison’s Selected Novels: Jazz (1992), Love (2003), A Mercy (2008) and Home (2012) Sirvan Mohamadnezhad, Erfan Rajabi, Zakarya Bezdoode (2019)
Différance and Binary Oppositions: A Deconstructionist Reading of John Dos Passos’ Trilogy U.S.A. Hazhir Salami, Bakhtiar Sadjadi, Erfan Rajabi (2019)
Otherness and Logocentrism: Deconstructing the Narrative in Lisa Unger's In the Blood and Reza Feyzollahi, Bakhtiar Sadjadi, Erfan Rajabi (2019)
Historiographical Negotiations: Aesthetic Sensibilities of Historical emplotment in Pat Barker's Selected Novels Tania parkalian, Erfan Rajabi, Bakhtiar Sadjadi (2018)
The Politics of Social Space Production in Don Dellilo's White Noise and Cosmoplis Farzin Mohammadi, Erfan Rajabi, Bakhtiar Sadjadi (2017)
Identity construction in Doris Lessing's Novels: A Lacanian Reading of The Fifth Child and Ben, In the World maryam fathi, Erfan Rajabi, Vali Gholami (2017)
Janus Iranian Style: The Formation of Identity in Tara Bahrampour and Yasmin Crowther Abouzar Moteshakeri, Erfan Rajabi, Cyrus Amiri (2016)
Gender, Performativity, and Agency in Virginia Woolf’s Selected Novels: A Butlerian Reading of To the Lighthouse and Orlando Serveh Hozhabri, Bakhtiar Sadjadi, Erfan Rajabi (2016)
Desire, Subjectivity and the Symbolic in Ian McEwan’s Selected Works: A Lacanian Psychoanalytic Reading of Atonement and Saturday Hourieh Maleki Qouzlu, Bakhtiar Sadjadi, Erfan Rajabi (2016)
Supplement, Undecidability, and Différance: Deconstructing the Narrative in Martin Amis’s Night Train and London Fields Naseh Mobaraki, Bakhtiar Sadjadi, Erfan Rajabi (2015)

Research interests

  • Contemporary English Drama and Fiction
  • Literary criticism and theory, CDA, SFL
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Executive activities

  • The Head of the Department of English (1392 - 1395)
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