The present inquiry endeavors to scrutinize the process of identity for mation with regard to the Culture/Nature dichotomy within the milieu of Lois Lowry's post-apocalyptic dystopian narrative, The Giver. The antipodal forces of Culture and Nature are instrumental in shaping the social subjectivities of individuals. Lowry's post-apocalyptic dystopia portrays a society in which these antitheses are compre hensively epitomized. Our objective is to explicate the genesis of post-apocalyptic identities and to elucidate the representation of Nature/Culture within the social con text of the aforementioned literary work. Furthermore, the polarity between power and resistance, which is of notable import to cultural studies, is nonexistent within this post-apocalyptic dystopia. Consequently, the establishment of identities tran spires not at the site of contention between power and resistance, but exclusively through the ascendency of the imperializing power. As a corollary, the elimination of the recollections of those individuals who are unable to oppose the imperializing power is integral to the construction of homogeneous identities.
